Back in the go-go 1990s of television syndication, everybody and his international production company was making hour-long adventure series. My weekend afternoons were filled with two of the best, Hercules: The Legendary Journeys and Xena: Warrior Princess. They were fun, action-packed, never took themselves too seriously and both were thoroughly enjoyable. And they had two things in common: Sam Raimi (that’s right, the Evil Dead/Darkman/Spider-Man guy) and Robert Tapert.

But the market shifted and independent programming took a beating for a few years. Then last year, there was a surprise on my widescreen plasma: Legend of the Seeker. And it too had something in common with Hercules and Xena: Raimi and Tapert. They’d returned to New Zealand where their previous shows were filmed, and drew from the Wizard’s First Rule novels of fantasy author Terry Goodkind to craft another terrific action hour with edge-of-the-seat appeal and really nice FX. It fills that gap for me when BBC America isn’t showing Robin Hood.

Now it’s back for season 2, and the first new episode debuts this weekend (either November 7 or November 8, depending on your local listings). For me, it’s KTLA (Channel 5) at Sunday, 3pm. If you’re in NYC (which is where I always dream of being), it’s 4pm Saturday on WPIX. You can find out your own local times and station at the official LOTS website.

Rating: *** 1/2*

This issue was a lot of fun. It was fast paced and it had non-stop action, which is good for the final issue of a comic book storyline. I also enjoyed the artwork this time; maybe I just grew accustomed to it, but the artwork didn’t bother me as much here in this issue as it did in the others.

Well, I called it in my last review when I said that Kaine would interrupt the stand-off between Peter Parker and Raptor so Peter wouldn’t have to reveal his identity; however, Kaine is there to assist the Raptor - not Peter. We also the flashback to the time when Ben Reilly confronted Raptor (then known as Damon Ryder) in his house - the same house that we know will burn down and kill his family. So we have a two fights playing out back and forth - Kaine showed up during that fight as well. Writer Marc Guggenheim does a nice job of jumping back and forth between the past and the present as well as building up a suspense to final outcome of both stories.

Screwball also shows up again as Spider-Man sets her up for a fight, but it really was a planned diversion for his confrontation with Raptor. This distraction enables Peter to free Harry Osborn and his cousins so that he can change into Spider-Man. Raptor is curious as to why Spider-Man continues to show up to help “Ben Reilly.” Kaine answers that question by pulling off Spider-Man’s mask. The clone situation is explained to Raptor, but Kaine says that Peter is the clone. I think Kaine explains it this way as an excuse for Raptor to take out his revenge on Peter. Raptor may not want to attack Peter if he knew that Ben was really a clone. Just my theory on this situation.

Lionsgate provides a nice treat for fans of Mark Millar‘s and John Romita, Jr.‘s Kick-Ass, unmasking four posters for the film adaptation.

Instead of touting the actors—which include Nicolas Cage, Superbad‘s Christopher Mintz-Plasse, and Chloe Moretz—the posters (seen after the jump) brandish the characters’ real names as well as their crime fighting alter egos. Placed next to each other (like the comics’ “Umpteenth Printing” variant), the title of the film appears in large block letters in the background.

Directed by Matthew Vaughn, the film hits theaters April 16, 2010.

Read More | IGN

If you are anything like myself, you can’t wait for the Dr. Horrible sequel. Thankfully for folks like us, the Whedon crew adheres to our insatiable craving for all things Whedon-related, offering us a comic book chronicling the origin of Dr. Horrible’s feud with Captain Hammer.

Zack Whedon teamed up with Joelle Jones for the one-shot, which is published by Dark Horse.

“It’s a prequel to the web series, and you get to see his first of many embarrassing encounters with Captain Hammer. But the web series is really an origin story too, so this is a little prelude to that,” explains Whedon, who co-wrote Dr. Horrible’s Sing-Along Blog with brothers Joss and Jed, as well as Jed’s new wife, Maurissa Tancharoen.

Check out the first six pages of the 24-page book after the jump, then head over to your comic book shop when the full issue hits stores on November 18th.

Read More | MTV

Rating: *** 1/2

After a delay of about a month, the mini-series Captain America: Reborn continues. I’ve really enjoyed this series so far and would recommend it to non-Cap fans as a good example of a good Captain America story. After reading this issue, however, I’m starting to get a bit disappointed. We know Steve Rogers will be “resurrected” and return as Captain America, but we’ve wondered exactly how the story will end with that conclusion. Well, after reading this issue, I think I’ve got the conclusion figured out. It should be good, but I was hoping for something new and different. Maybe I’m wrong and there will be something different, but I doubt it. Before I give my theory of the conclusion, a quick recap.

The Red Skull has more than nine lives. He’s cheated death once again and is now inhabiting a new robotic body. The Red Skull, his daughter Sin, and her boyfriend Crossbones have arrived in Latveria the homeland of Dr. Doom. Doom has the machine that the Skull needs to recover Captain America, who is currently stuck in time. Sharon Carter is the key to getting Steve back; she has surrendered herself because the Skull’s accomplice Norman Osborn revealed to the media that she was the second shooter in the assassination of Captain America.

Comic book fans all over the world have experienced a great loss: Sheldon Dorf (pictured to the left of actor Warren Beatty), the founder of San Diego Comic Con, has died at the age of 76.

A victim of diabetes, Dorf had been hospitalized for about a year; he died of kidney failure in San Diego on Tuesday. Dorf started Comic-Con in San Diego after having moved from Detroit in 1970; today, the convention has turned into a media frenzy, attracting around 125,000 fans a year.

Dorf, a freelance artist and letterer, was a major contribution to the comic book industry and will be greatly missed.

Read More | The Hollywood Reporter

Celebrated comic book writer Alan Moore has indirectly caused the demise of two Kentucky librarians all while he was at home in the UK. Talk about super powers!

Sharon Cook and Beth Bovaire claim that they were fired when they refused to lend Moore’s graphic novel The League of Extraordinary Gentlemen to an 11 year-old girl. Pulling it from her hold list, the pair felt that it was unsuitable for the pre-teen, calling it “pornography.” If they call that novel pornography, they’ve got to check out Lost Girls!

“Residents in Jessamine county do not realize that these books that are so graphic are available in the library let alone to their children,” Bovaire said.

I’m impressed that an 11 year-old knew to pick up a Moore book in the first place. Shouldn’t they be happy that she’s reading at all? I mean, let’s celebrate the fact that she didn’t request any of the Twilight books.

The Jessamine County Library Director did not want to discuss the termination, but did say that the responsibility of deciding what a child can or cannot read rested upon the parents.

Read More | Digital Spy

Those folks over at Apple don’t stop at catering to people’s needs. This time, they’re impressing comic book fans, as the iPhone now carries an array of Marvel comics you’ve probably been meaning to catch up on.

Marvel has now made both new and classic issues available via Comixology, iVerse, and Panelfly. Whether it’s the first 25 issues of Stan Lee’s Amazing Spider-Man, Joss Whedon’s Astonishing X-Men, or Robert Kirkman‘s Marvel Zombies, finding something you’ll want to read is guaranteed. The best part of this whole deal is the fact that Panelfly, which has the most comics in its library (84), sells their comics for $0.99 (others generally charge $1.99).

Despite this more cost-effective comic book venture, nothing quite beats the sensation of walking into your local shop, digging through those boxes to find that treasured issue you so desperately want to get your fingers on. What’s a couple dollars or so when you’ve still got that?

Let’s hope the sacred Wednesday tradition of new issues stays intact as well, considering the iPhone doesn’t have that… yet.

Read More | MTV

Let’s get this out of the way right up front: I have a bias when it comes to Sergio Aragonés. I grew up reading his Marginals in MAD Magazine and later worked for a company that published his work (two graphic albums and The Mighty Magnor mini-series with Mark Evanier). During that time, I not only met him, but he once dropped by the office on a day that coincidentally was my birthday and, in the time it might take me to read an email, he drew in ink (no penciling) a breathtaking 9x12 illustration of multi-character cartoon goodness as a gift. I still have it, framed on my office wall.

So my bias goes well beyond fancrush. I was saddened that MAD Magazine went quarterly because it meant 8 fewer paychecks per year for all those freelancers associated with the magazine, including Sergio. But I knew that anyone who draws as fast and funny as he does would find another outlet for his work, and I was delighted - and surprised - to discover that it would be The Simpsons.

He’s joined Bongo Comics, and they’ve made a big deal out of his debut on Simpsons Comics Presents Bart Simpson #50, subtitled “Mad About Sergio.” Sergio writes, pencils and inks two complete stories. The first is “The Simpson Project,” about what happens when Bart and Milhouse’s homemade rocketship triggers a domino effect of international nuttiness. And the second is “Big Top Flop” where Bart and his friends sneak away from Cirque Du Lune (”the elegant art of mime and the subtle fantasy of Asian contortionists”) and try to sneak into a “real” circus. There are also two shorter gag pieces by Sergio.

Read More | The Beat

Rating: ***

A few months ago during the Battle for the Cowl series, DC Comics released accompanying one-shots that expanded on the state of Gotham City and its inhabitants during the initial disappearance of Batman. Some were good and some were bad, but one stood out as great. Batman Battle for the Cowl: Arkham was the story of Jeremiah Arkham and his attempts at recovery after the destruction of Arkham Asylum. The story was similar to the mini-series Arkham Asylum: Living Hell in that it focused more on the inmates of Arkham and not Batman. This Battle for the Cowl issue introduced us to several unseen inmates who were special to Jeremiah: No Face, The Hamburger Lady, and the Mirror Man. This is the first issue of a three part mini-series that continues the story of Jeremiah and the inmates from that issue.

The first issue of Arkham Reborn begins with the reopening of Arkham Asylum. Now I didn’t catch this until after I read the issue, but in the opening scene Jeremiah Arkham is showing off the new asylum to a group of Gothamites. Some of these characters include Commissioner Gordon, new Gotham D.A. Kate Spencer aka the super-hero Manhunter, Aaron Cash head of Arkham security, Jeremiah’s new assistant Alyce Sinner, and ....Bruce Wayne?! I had to do a Wikipedia search to discover that Thomas Elliot, who surgically altered his face to look like Bruce Wayne, escaped from his cell and is now out and about as Bruce Wayne. I think the editors should have mentioned this, as I believe this all happened in the Streets of Gotham title and I don’t read that book.

Happy Halloween! You won’t find any Halloween-themed stuff down below because thousands of other people are already way ahead of me on that. What you will find is some very nifty reading (and looking) on folks like Howard Chaykin, Frank Robbins, indie cartoonist J.R. Williams, Stan Lee, and Blackest Night. Start the ball rolling downhill…

Incognegro: Galleycat gives a shout-out to the new graphic novel by Mat Johnson and Warren Pleece, making it their Featured Book of Color. This Vertigo book has “movie” written all over it, and I’m sure Diane Nelson has noticed that.

Die Hard: Those We Left Behind enjoys the new Howard Chaykin/Stephen Thompson Die Hard prequel, Die Hard: Year One, from Boom! Says TWLB of the just-released second issue: “The series is really capturing the spirit of the McClane character, with his quick wit and regular-guy attitude.”

The Avengers: James Reasoner reviews Marvel Masterworks: The Avengers Volume 1 by Stan Lee, Jack Kirby and Dick Ayers. “It’s also interesting to see the introduction of storylines that would resonate through the Marvel Universe for years, and in some cases, decades afterwards.” But there’s a “but” coming that you’ll have to click and discover for yourself.

Great Googly Moogly! Writer Mike McGee and artist Tamas Jakab are prepping the third issue of their creation, El Gorgo! If you’re already on board with the “world’s greatest Luchador gorilla” read no further, but if you haven’t checked out these whacked-out, Kirby-inspired, cosmic adventures yet, what the heck are you waiting for?

The creators put each issue up on the El Gorgo! website for free-reading, but they also create a print version for those of us who still like to hold printed matter in our hands. And the print version is nice too - quality paper and vibrant colors make El Gorgo leap from the page. And since he has enough power and courage to kick a dinosaur in the face, you’d better duck.

The color cover and the first 11 pages of the impending third issue - “The Hour of Dagon” - are up at the El Gorgo! site right now. They’re in black and white, but they’ll be in color when the issue’s finished.

If you’re feeling like the third issue might be too difficult a spot to join in, fear not. Mike and Tamas have posted the complete first and second issues of El Gorgo! for free-reading.

Read More | El Gorgo Site

Steve Niles is a self-proclaimed horror addict. Then again, judging by his books 30 Days of Night, Criminal Macabre, and Freaks of the Heartland, it’s not that difficult to spot.

Taking time out of his Halloween festivities to write about his horror heroes, Niles credits I Am Legend author Richard Matheson as well as directors George A. Romero and John Carpenter among his leading inspirations.

“John Carpenter hardly has to be introduced, let alone explained, but for those of you out there who are unaware of his work go out right now and rent or buy the original Halloween and (John Carpenter’s) The Thing and see how horror is done. These two movies made on very different budgets hit every beat of what makes great horror.”

Wait a second—does that mean I ought to skip over David Slade’s $30 million adaptation of 30 Days of Night when I’m perusing Netflix?

Best of all, Niles lets us in on the most notable secret of all: how to become a sought-after comic book creator in Hollywood.

Read More | MTV

Rating: ****

Wow! Fantastic! For someone who didn’t grow up reading the Superboy and the Legion of Superheroes stories, I have nothing to compare this issue to. However, I must say that this is a great story that I think longtime fans of those stories will agree that it can stand alongside those classic tales. If you didn’t read issue one, first off, go now to your comic store and get it; second, this issue can stand alone as a great story with some amazing art work. The creative team once again is Geoff Johns and Gary Frank. They introduced us to a teenage Clark Kent living in Smallville adjusting to his super powers and discovering where they came from. We’re also introduced to a teenage Lex Luthor who has an abusive, alcoholic father whom Luthor tries kill in the beginning of our second issue.

The issue opens with Lionel Luthor driving down a highway. There is rubble on the road and he tries to swerve and hit the breaks - unfortunately the breaks are out thanks to Lex. Lionel’s car goes over the side of the highway and is about to plunge into the water when Superboy saves the day. A beautifully drawn scene by Frank, but my one complaint is that I think Superboy looks more like a 10 year-old than a teenager in that scene. Lionel survives, but not for long as Luthor is successful in murdering his father at the end of the issue.

Rating: ***

I’m a bit disappointed in this issue. After the first three issues blew me away and I proclaimed that this series was a future classic in the making, writer Geoff Johns stumbles a bit with this month’s issue of Blackest Night. For me, some of Black Lantern Firestorm’s dialogue was written poorly in the opening pages. We also jump to Gotham City for no reason other to see Jean Paul Valley aka Azrael resurrected as a Black Lantern while The Scarecrow whines about admiring the fear that the Black Lanterns are able to invoke (he can’t get scared because he’s used too much of his fear gas). Poor baby. He does have one fear of course - The Batman (cue dramatic Batman music).

This issue mostly focuses on Barry Allen - the Flash and his quest to take the reigns and try to “hold down the fort” here on Earth against the Black Lanterns. He’s with the Atom and Mera of Atlantis and he gives them a good pep talk to try to get them to step up and fight back against the Black Lanterns. The Flash then runs across the Earth continuing his pep talk and informing the other heroes of the situation. He tells them that Green Lantern is off trying to destroy the source of the Black Lanterns’ power and they have to keep fighting until that happens. 

The great thing about Stumble Upon is that you get to stumble upon some really funny webcomics. That’s how I found Mike Bannon’s Mordant Orange, a single-panel full color comic, about six months ago. A mechanical designer by day and a webcartoonist by night, Mike describes himself as “similar to a large block of wood but with slightly more hair and slightly less funny.” I thought it was time to ask him a few questions.

Tom Mason: How did you get interested in cartooning?
Mike Bannon: Probably much like anyone else. As a kid I had a bunch of Garfield collections. I used to read them all the time and try drawing Garfield. I also had an English friend who had lots of British comics as well, Beano, Dennis the Menace and all kinds of stuff I’d never heard of before. They were fantastic. But beyond that what really got me interested in cartoons was this physics teacher in high school who used to copy Far Side cartoons into course outlines and labs. I just the loved the smart, bizarre humor. I went out and got my hands on all The Far Side Gallery’s I could.
Tom: How did Mordant Orange get started?
Mike: In 2005, a friend introduced me to this thing called a blog. I started a blog like everyone else and posted all the dumb stuff on the internet that I found funny. After about two weeks of this I got bored and decided if I wanted to have a website that was worth visiting I would have to put something original up on it. So I started writing movie reviews. Which I sucked at it and quickly abandoned.

Read More | Mordant Orange

You know that the comic book world is getting its share of rape and sodomy when celebrities like Jennifer Love Hewitt are branching out into the industry. I suppose we have Hollywood and San Diego Comic Con to thank for that, eh?

The Ghost Whisperer starlet teamed up with IDW to create her comic book, The Music Box. Wow, so alluring, Jennifer.

What makes it even better is the fact that she has slapped her face on the cover of it (as I have not yet had the pleasure of reading the comic, she may also be the heroine—I don’t know), as if to say, “Even though you typical comic book consumers will walk right past my series (which is incidentally about a lame music box), I’ll plaster my good looks on it to make you at least give it a second glance.”

If you’re feeling up to the challenge of reading a seemingly-unbearable story, the issue is in stands as of yesterday, October 28th.

Read More | NBC

Hey Warner Bros.—ever consider hiring JJ Abrams? You ought to know that he’s still asking for that Superman gig!

The Star Trek director and Lost co-creator had written a script for the caped crusader way back before his career took off. Despite his vast success with his Star Trek reboot, Abrams is still longing for a shot at revitalizing the Superman franchise. He recently opened up about his relationship with the superhero:

“Writing that script was a long process. It was a very passionate character for me. As a kid growing up it meant a lot to me. It would be wonderful and fun to see that brought back. I don’t know what Warners is thinking or what their plan is. It would be a blast… No one has talked to me about it. Obviously I’m sure Warner Brothers has a plan for what they want to do.”

Did you hear that, higher-ups?

Not only are Abrams fans supporting this collaboration, but apparently so is fellow filmmaker, Kevin Smith—check out the video after the jump.

Read More | MTV

Okay, here goes: you want to be a part of the comic book industry and you can’t write, can’t draw, can’t edit. But you still can’t let go of that dream. So suppose you could count things (with or without fingers), manage computer technology, and were a good organizer with mad tech skills. In other words, a computer geek who liked comics instead of a comic book geek who has already mastered Windows 7. Is there still a place at, say, Marvel Entertainment for you to park your assets?

Maybe. Let’s take a look.

Marvel is looking for a Physical Asset Coordinator down in Manhattan Beach, CA. Your job will be to “support Marvel Studios’ physical asset management initiative, including the locating, tagging, photographing, sale and tracking of all physical production assets.” There are a bunch of asset management tasks, many of them are written in very specific language that I can’t translate, but if you can, get that resume over there, pronto.

Also, down in Manhattan Beach, Marvel Studios is looking for a Digital Asset Coordinator to assist with “administration of Marvel’s digital asset management system and facilitate communication and secure data transfer between various groups within Marvel corporate and production.” You’ll have a lot of technical duties, and you’ll need some theatrical production experience and familiarity with various video and image formats beyond just being able to post stuff on YouTube. And if you think “letterboxing, streaming, and compression techniques” are tortures from a Uwe Boll movie, it’s best to move on.

Rating: *** 1/2*

Blackest Night comes to end for Superman this week - at least for now. Issue three of Blackest Night: Superman is a lot of fun - this whole series has been fun. As I mentioned in a previous issue, sometimes the most simple plots can be the most fun. All you need to know is that the Black Lanterns are resurrecting the dead in the DC Universe, and they are attacking the living. It’s Night of the Living Dead meets the world of superheroes - what more can you ask for?

Writer James Robinson did a very good job with this one. Behind the story of the Black Lanterns attacking Smallville and New Krypton is the story of a family - the Superman family. I like the dynamic between Martha Kent and her sons Superman and Superboy (and of course the family dog Krypto); on the flip side, we see the difficult family relationship between Supergirl and her mother as they tackle their father/husband who has been resurrected as a Black Lantern. Great drama.

Our story jumps back and forth between the events happening in Smallville to the events on New Krypton. Kara is sad and angry over this thing that she has to fight, this thing that looks and sounds like her father. Meanwhile, Superman and Superboy fight off the Black Lanterns of Earth 2 Superman and the Psycho Pirate. The Psycho Pirate has been able to take over Superboy and make him fight Superman, but Superboy is then able to regain control of his senses use his tactile telekinesis to fight off Earth 2 Superman. Conner wants to be more like Superman, but he hasn’t been using this power because Superman lacks his own. Superman tells Conner that he must use all of his powers and be himself, to not worry about being more like Superman.

Another big week for people with money to throw around as Nickelodeon just bought the Teenage Mutant Ninja Turtles for $60 million. This is yet another reason why it’s great to hold onto your copyrights. If you’re just working on Batman And The Outsiders #128, you already know it’s a basically a boilerplate work-for-hire contract, but if you’ve created Dingo, Rescue Dog Of The Outback get that thing copyrighted in your name and hold onto it. Because it’s always better for you to have the control - and any related money - than it is to just give it away to a corporation. In the meantime, if you’re tired of reading about contract negotiations, take a look around the internet and discover what folks like Mo Willems, Alan Kupperburg, Bill Crider and Bruce Timm are up to. Here’s how you can fill up your weekend:

Alan Kupperburg: Steven Thompson over at Hooray for Wally Wood, has a nice interview with Alan talking about his days working for Wood. Great stuff. Here’s a taste: “So then he (Wood) asked me if I could pencil Cannon for him. I took the pages home and opened up my T.H.U.N.D.E.R. Agents and copied out the appropriate panels and adapted them to the situation. And Woody flipped out. He said, ‘You’re hired.’ Within three weeks I was also writing Sally and Cannon.”

It’s here! After a long and seemingly painful production process, the new Astro Boy CGI feature is in theaters. You can find clips and cool stuff over on the official Astro Boy website. If you want to find out about all things Astro Boy, my favorite go-to place is Astro Boy World. They’re dedicated to “everything Astro Boy, the works of Osamu Tezuka, and other related anime & manga.” They’ve got video, news, factoids, lots of great graphics, and more.

Astro Boy was created by Osamu Tezuka (the “God of Manga” and “The Walt Disney of Japan”) and debuted back in the early 1950s under the title Tetsuwan Atomu (The Mighty Atom). It later became an animated TV series in Japan in 1963. Since then, Astro Boy’s made a lot of comic book appearances here in the US, as recently as right now. Let’s take a look.

IDW: The gang over at IDW released two brand-new Astro Boy comic book series this year. One was a 4-part prequel to the Astro Boy movie and the other was an adaptation of the movie. You can probably still grab individual copies. Better still, they’ve already collected both of them in trade paperbacks that came out last month: Astro Boy: Movie Prequel and Astro Boy: Movie Adaptation.

Read More | Astroboy Movie Official Site

How did you spend last weekend? Well, I didn’t make it to APE (wrong coast) so I spent some time in my local charity-based thrift shop looking for a Halloween costume. No wait, just kidding. I was there because they happen to have a really great used book section and since most used book stores are gone like yesterday’s VHS, a thrift shop remains a shining beacon of musty old paperbacks that smell of basements and cigarettes. That’s where I picked this up: McCaffery by Charles Gorham (Crest Books, 1962).

It’s one of those heavy-handed books that’s packed with stereotypes and talks about sex with the oddball euphemisms of the day, but also with shocking (for the time) language. And the reason I picked it up was because of the back cover copy, which I’ll get to in a little while.

On the pages inside, you get to find great paragraphs like this, as McCaffery enjoys the company of a woman: “I kissed her on the mouth and held it there. I was in charge. I was a man. I could feel it in my blood, the sense of my manhood. I was a man and there was no one in the whole world except me…” Issues much, Mr. Gorham?

Rating: *** 1/2*

Part one of the “Who was Ben Reilly” story arc left me a bit disappointed two weeks ago.  This week, the story continues and picks up right where we left off.  This issue was a much better read as there wasn’t as much silliness here in this issue than there was in the last.  For whatever reason the silliness annoyed me and here we have some serious action with a sprinkling of the Spider-Man wit mixed in. 

When we last saw Spider-Man, he was fighting Kaine at Raptor’s abandoned hide out.  Spider-Man wants to know the connection as to why Kaine has showed up at the same time Raptor has shown up thinking Peter is really Ben Reilly.  Kaine reveals to Spider-Man that he is not here to fight him, but is instead looking for Raptor aka Damon Ryder as he maybe the only man who can stop his cellular degeneration. 

Rating: ***
has had its share of ups and downs over the years.
The Justice League has had its share of ups and downs over the years.  Over the past ten years we’ve seen the resurrection of the JLA under the guidance of Grant Morrison with great success.  That title went the way of the dodo a few years ago and was relaunched under the helm of writer Brad Meltzer.  His year run on the title was okay, but not as good as I would hope it would have been.  I haven’t collected the title since Meltzer left, but I decided to pick this issue up as I’ve been reading James Robinson’s Justice League: Cry for Justice.  This series has also had its share of ups and downs, but I wanted to give Robinson a shot and see what he could do with the regular series.  I’m glad I did.

The Justice League is falling apart.  Batman, Aquaman, and the Martian Manhunter are dead.  Superman is on New Krypton and Wonder Woman, Green Lantern, and Flash are off doing their own thing.  The League consists now of mostly second-tier characters with Vixen at the helm.  Our story begins with the character Blue Jay being chased by an unknown assailant.  He’s looking to warn the Justice League of impending danger.  Unfortunately he doesn’t make it and he’s killed. 

Someone break the pizza out—we’re having a party with the Teenage Mutant Ninja Turtles!

Media conglomerate Viacom (which owns Nickelodeon, MTV, Paramount) recently purchased the rights to the crime-fighting crew for a cool $60 million. Previously owned by Mirage Studios and 4Kids Networks, $10 million of the payment went to terminating the rights 4Kids currently has, which was set to naturally expire in 2012 (because Viacom doesn’t quite have the patience to wait three more years).

Inking the expensive deal comes 25 years after creators Peter Laird and Kevin Eastman (Mirage Studios) self-published the very first TMNT comic. Cowabunga!

To justify the price tag, Viacom plans for an upcoming 2012 film, as well as an accompanying CGI television series. Oh those businessmen—they’re so savvy.

Read More | Bleeding Cool

In celebration of John Layman and Rob Guillory’s kick-ass comic Chew completing its “Taster’s Choice” arc with Chew #5 today, Image Comics posted the cover of Chew #8 on their Twitter.

Protagonist Tony Chu looks pretty darn angry. Then again, I probably would be too if I was looking for a missing rooster King of Cocks. While I’m quite confused about where this story is going to head, I know that from the last five issues of this series, I will not be one bit disappointed.

So go out and buy Chew #5 already (and good luck finding previous issues)!

(FYI - You can also follow Comix411 on Twitter.)

Read More | Image Comics Twitter

Originally published on the MySpace for Dark Horse Presents and later printed in MySpace Dark Horse Presents Vol. 1, Joss Whedon‘s Sugarshock is getting its one-shot, which hits comic book stores today.

With a team like Joss Whedon (even if he does only read one comic) and Fabio Moon, it’s no wonder that the comic received the Eisner Award for Best Web Comic.

For $3.50, not only will you get the complete comic but an additional 14 pages of Moon’s process, with exclusive character designs, page layouts, and promos. What a deal, eh?

The story follows a very unlikely-matched rock band (i.e. the vocalist loathes Vikings, their bass player is a robot) set to participate in an intergalactic battle of the bands—an epic one, at that. Complete with Whedon quirks and quips as well as Moon’s playfully-appropriate artwork, Sugarshock is a must have—get it at your comic book store today!

Read More | Dark Horse via Fabio Moon's Blog

Noted sci-fi author John Scalzi (The Android’s Dream; Agent To The Stars) doubles as Creative Consultant for the new Stargate: Universe TV series (which you can check out on Hulu if you’ve missed some eps). More importantly, he also writes a regular column for the AMC website (that’s American Movie Classics; not the defunct auto-maker responsible for the Gremlin). Last week, he held a sci-fi writing contest for his audience—you could pick one of 10 different scenarios he suggested and write a short post relating to your choice.

You could choose from movie pitches, disciplinary reports, speeches, monologues, movie scenes, and lots more involving sci-fi icons like Will Smith, E.T., Jar-Jar Binks, Uwe Boll and many others. I chose: “Write a brief monologue from the point of view of the creature who burst out of the chest of John Hurt in Alien.”

And here’s what I posted:

Read More | AMC via Whatever (Scalzi's Blog)

As I’ve said in the past, I’ll buy pretty much any comic book that lurks on the outer edges of DC and Marvel. That’s where the off-the-wall, non-continuity stuff can be found, and there are some real gems that feel like someone’s sliding them under my door and running off. Starr The Slayer is one of the latest, written by Daniel Way (Deadpool) and illustrated by the most-excellent Richard Corben (Den; Hellboy; Cage).

In the first issue of this four-part mini-series, pulpy genre writer Len Carson enjoys wild success with a series of Conan-like books called Starr The Slayer. So successful that he’s soon churning out books like crazy and driving fast cars packed with top-heavy women. Y’know, just like real life. He soon tires of success because “the lit scene calls to me.” Twenty years after he’s abandoned his barbarian creation and failed to crack the world of tweed jackets, college professors and Borkum Riff, he’s ready to tackle his greatest creation one last time.

In a parallel story, Starr, a barbarian with a hot temper, journeys from his village to “civilization” with his family. They promptly hit a wall of trouble, his family is killed and Starr is forced to fight in an arena, where he brutalizes a local named Trull so badly that the disfigured guy runs away to concentrate on the black arts—and making these two parallel stories collide.