After her short-lived gigs on Terminator: The Sarah Connor Chronicles and Joss Whedon‘s shows Firefly and Dollhouse, Summer Glau landed another role in a sci-fi, superhero-themed series The Cape.

The pilot centers on a former cop, played by David Lyons, who dons a superhero alter ego to clear his name of criminal charges. Glau portrays “Orwell, a cute and intrepid investigative blogger who fearlessly goes after corrupt cops and costumed bad guys.” So… Dollhouse‘s Bennett meets Kick-Ass‘s Hit Girl?

Considering all three Fox shows she worked on were cut short, let’s hope that moving to NBC will fare better for the actress.

Is this the nail in the Heroes coffin? Bah, I’ll still watch it if I can catch Glau being her adorable, geeky-cute self!

Read More | The Hollywood Reporter

If you’re like me, the second you heard there was going to be a Gilligan’s Island movie updated for the 21st Century, the first thought that went through your mind was “Ginger-Mary Ann Lesbian Kiss.”

After spending about 30 minutes dwelling on that, I started to cast the movie. I’ve always thought of Gilligan as a live-action cartoon; perfect entertainment for those times when an episode of Scooby-Doo won’t satisfy and Batman: The Animated Series seems a tad too challenging.

Who would be Gilligan, The Skipper, The Professor? Who, indeed. Who could take the place of Bob Denver, Alan Hale, Russell Johnson, Tina Louise, Natalie Schaefer, Jim Backus and Dawn Wells? Who would play the Harlem Globetrotters this time? And since vampires are the new black, would they feel the need to bring in Dr. Boris Balinkoff?

Read More | Slash Film

As any regular browser of the internets knows, Stan Lee‘s POW! Entertainment has pacted with Boom! Studios to launch a line of superhero comic books based on concepts from The Man himself. Here are 10 things that Stan said as he signed the deal.

10. “What a coincidence! A Mark Waid once interviewed me for Amazing Heroes.”

9. “‘Boom,’ huh? Have you thought about either ‘Krakadoom!’ or ‘Bah-bah-boom’”?

8. “Can we work 2099 into the title of something?”

7. “You can still get me a room at San Diego, right?”

6. “How will this affect my cameo in Iron Man 2?”

5. “With great power comes a really great contract.”

4. “Apple is talking to me about the iStan.”

Read More | Boom! Studios

Comedian and comic book enthusiast Patton Oswalt lends his writing talents to Joss Whedon‘s Firefly universe with the upcoming one-shot Float-Out.

The comic, which is set to hit stores on June 2, picks up where Serenity left off. Chronicling the late Wash’s friends, the story marks a new chapter in the Firefly ‘verse. Oswalt talks about continuing this world in comic book form and shares a little about how he felt with Whedon’s ending:

“Post-Serenity’ a bunch of Wash’s friends who we haven’t met on the show, they’re basically buying a new ship and christening it… It’s called a ‘float-out’ when you christen a ship. As they’re christening a new ship, they’re telling stories about Wash, and we’re basically seeing what could be the start of a new adventure… I had always been kind of bothered by Wash’s death.”

A fan of the television series, Oswalt didn’t have to do heavy research to take on the project and was quite inspired to continue the story: “It was very frustrating to see the show get canceled when a world was starting to come together. I just wish Fox had given it some more time, I guess.”

Patric Reynolds provides the interior art and Buffy the Vampire Slayer Season 8 artist Jo Chen lends her skills to the cover (seen above).

Read More | Splash Page

Stan’s back in case you haven’t heard (he’s over at Boom!) and if you have, you’ll be happy to know there’s still a bunch of cool stuff all over the internet you might not have seen yet.

Comic Heroes: When is it a good time to launch a new magazine? Probably when most of the biggest grossing movies of the last 10 years have been based on comic books and sci-fi. John Zipperer has the news of a new magazine devoted to comic books and coming out of England from the publishers of SFX. Good news for the British - it’s coming out this month.

Stan Lee: Clifford Meth got about 2-minutes with The Man he’s known for three decades and asked some questions about the new Boom! Studios/POW! Entertainment team-up.

Neal Adams and Bruce Lee: I love Neal’s work on the various Batman comics he did back in the day. But you know what else I love? His covers for Marvel’s Deadly Hands Of Kung-Fu magazine. And so do the folks at Cyclops Central who posted a pile of butt-kickin, kung fu art by Adams that I could stare at all day.

Stan Lee has made a pretty good hobby out of appearing in projects based on Marvel Comics. It’s a fun, and not too distracting, game to try to figure out if Stan will be showing up in a crowd scene, a cocktail party, a press conference or other setting where he can do his cameo, fulfill his Screen Actor’s Guild obligations, and eat the free lunch at break time.

On March 1, Stan appeared as himself on the fanboy favorite, The Big Bang Theory, probably the best sitcom currently on the air, thanks to creator-producer Chuck Lorre, co-creator-producer Bill Prady, and the rest of their talented staff of producers and writers. In “The Excelsior Acquisition,” the cast is excited about Stan’s appearance at the local comic book store, but Sheldon misses it when he gets tossed in jail for contempt while defending his traffic ticket. Naturally, when he gets out, he takes advantage of an opportunity to make the pilgrimage to Stan’s house. Stan acquits himself quite well and there are laughs galore. It’s a great use of stunt-casting and it’s packed with jokes that reveal the writers as fans of Marvel Comics, not posers. Well done, all!

Stan liked the experience so much, he Tweeted about it.

Buford Tune appears to be one of the forgotten cartoonists of the mid-20th Century, even though he had a comic strip that ran for nearly 30 years. I’d never heard of him or his strip which made this article about him all the more fascinating.

Continuing my series on cartooning and cartoonists, Tune sang about his own work back in 1964. This is pulled from an oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette.

Now, here’s Tune on key:

San Francisco is a really nice city. It’s easy to get around in, has a vibrant arts culture, and excellent food. Also, home to Dashiell Hammett, one of the great American writers and Wondercon one of the best of the regional conventions.

You know who else is there? Viz Media, the publishers of Naruto and Shonen Jump.

And now the manga publisher by the bay is looking for a Royalty Financial Analyst. That does not mean you’ll be counting and investing the Queen’s money, but does mean you’ll be on the Viz Finance Team.

You’re going to need some “solid math skills” (well, duh), an ability to “think in an analytical fashion” and you’re going to need those Japanese bilingual skills to even get in the door.

You’ll be using these mad skillz to compile, prepare and review royalty reports, review licensing agreements “to ensure compliance,” process data, report to licensors and licensees, and all that fun accounting stuff. Sadly, an interest in comic books, publishing, manga, anime, etc. is not listed as a requirement, but on the plus side it’s not being put out there as a detriment either.

Someone should biographize Mell Lazarus, who is still alive and—coming up on 83—still working. For a long time, he had two daily nationally syndicated comic strips, Miss Peach and Momma. He wrote a humorous novel based on his experience working for Al Capp (creator of Li’l Abner), he worked for Al Capp and was an active presence in the New York cartoon scene. Oh the stories he could probably tell. I hope he’s secretly putting them all in a book.

Continuing my series on cartooning and cartoonists, this Lazarus piece is pulled from a 1964 oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette.

Here’s Mell talking about how he does it:

My favorite superhero cartoons are the DC ones from Warner Bros. where Bruce Timm and friends are at the helm. In fact, if someone just put a show on the air called “Bruce Timm & Friends,” I’d watch it. But the Marvel Comics cartoons have made vast improvements over the years and while I’m outside of the target audience these days, my sons get a kick out of them. Now the Marvel Studios down in Manhattan Beach, California are looking for some help.

In their Animation division, they need a Coordinator in Development and Production. It’s an entry-level deal, and you’ll be working across all of their shows (both regular series and DTV) and pitching in wherever support is needed. In the corporate world, this used to be referred to unofficially as a “floater.”

The job description has a lot of functions – it’s longer than anything you’ll be able to do in a full week – so just be satisfied knowing that you’ll be doing everything someone above you needs done from tracking, monitoring, researching, coordinating and stuff like that. One perk is that you’ll be hiring and managing interns and managing the search for key production and creative positions (which makes you my new best friend).

Before going any further, let’s just pause for a minute (which is like a week in internet-time) and send some good thoughts out to Eduardo Barreto, the great comic artist who currently draws the Judge Parker comic strip. He’s ailing with Meningitis and has had to push himself away from the drawing board while he recovers. Aside from being a good guy, he’s a terrific artist and Parker is one of the best-drawn comics currently on the page. We at Comix 411 wish him a speedy recovery. Eduardo’s pal and frequent collaborator, Beau Smith, has an excellent appreciaton as well as an update over at Busted Knuckles.

Kids And Guns: One thing I’ve learned is that kids from the 1950s and 1960s loved their guns, and companies were only too happy to fill their hands with iron, okay, well, plastic and metal parts, but still. Over at Cyclops Central they’ve got an excellent post to prove that point with ads from comics books and television.

Not everybody who’s part of the comic book industry is writing, drawing, coloring, lettering or editing or blogging about writing, drawing, coloring, lettering or editing. There’s plenty of room for lawyers and accountants and guys who drive the trucks for Diamond Comic Distributors (and those guys are essential). But now there’s also an opportunity for anyone who can tap out a tune on a keytar, slap a bow on a violin or a blow a French horn.

I didn’t know this, or if I did, I’d forgotten it, but there’s apparently a Stan Lee documentary in the works called With Great Power. I believe this is different from the one called True Believer: The Stan Lee Documentary.

The folks behind the With Great Power doc are putting together “talented score musicians” which, unfortunately, are not guitar players who know how to make women pay their rent, but skilled musicians who want to be in the orchestra that’s scoring the film.

If you’re “skilled at your craft, non-union and can sight-read” and want to be part of the 90-piece non-union mighty Marvel marching band, I mean orchestra, currently being assembled for a 1-day session in mid-March over at the Warner Brothers’ Eastwood Stage, then some producers would like to hear from you – by email first, then they’ll listen to your pulse-pounding tuba triumph .

Unless you’ve been living in a hole for the past week or infected with a Zombie virus that’s harmed your brain, you’re aware that DC Entertainment has made a significant restructuring move in their executive suite and put a team of 5 people in charge - Dan Didio, Geoff Johns, Pat Caldon, John Rood and Jim Lee - to replace the outgoing Paul Levitz.

The internets abound with excellent coverage and analysis. One of the best pieces is from Heidi McDonald who lands a short interview with Diane Nelson, the head of DC Entertainment who put the team together.

Tom Spurgeon at The Comics Reporter runs through some very worthwhile bullet points in a “fingers crossed” sort of way.

And Dirk Deppey, no fan of the outgoing Paul Levitz, is optimistic about the new DC Team-Up.

I’m reminded of a time many years ago when Marvel Comics went on a buying spree that included the acquisitions of Panini, Fleer and Malibu Comics and culminated with the buying of Heroes World to be Marvel’s sole distributor. Under different circumstances, they also put a team of 5 in place as editorial shopkeepers. They called it “Marvelution.” A similar, “clever” phrase has yet to be made from DC’s name. “No Fear” might somehow stick in some way, but I think someone else already has that trademark. “High Five” is getting some play over at Bleeding Cool. And maybe if the DC gang do well, someone will tag them “The Superior Five.”

Forrest “Bud” Sagendorf was E.C. Segar’s young assistant on Popeye in the 1930s. When Segar died in 1938, King Features Syndicate considered Sagendorf too young to take over the comic strip. Instead, they put him to work in the bullpen where he worked on the Popeye comic books until 1958, when King decided to hand the strip over to him.
Continuing my little cartoonist series, here’s what Sagendorf had to say about his work back in 1964. This is pulled from an oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette. Newspaper comic strip writers and artists wrote about themselves and their work (or if they didn’t then their syndicate wrote it for them).

Here’s a previous entry in William Overgard.

And here’s the one on Fred Toole, the guy who wrote some absolutely tremendous Dennis the Menace comic books.

Here’s Sagendorf writing about himself:

William Overgard was a writer, novelist, and comic book artist who had a long-running gig on the Steve Roper (later Steve Roper and Mike Nomad) comic strip. His bold line and storytelling owed a lot to his idol, Milton Caniff.

Continuing my little series on cartoonists, here’s what Overgard had to say about his work back in 1964. This is pulled from an oversized saddle-stitched magazine from Allied Publications with the creatively-challenged title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette. My previous entry on Dennis The Menace’s Fred Toole can be found here.

Here’s Overgard:

Rating: *** 1/2*
The past two issues of Grant Morrison‘s Batman and Robin have left me scratching my head - but in a good way. We discovered that Dick Grayson the current Batman has been keeping the body of the former Batman Bruce Wayne hidden in a sarcophagus in the Wayne Foundation building. His mission is to resurrect his former mentor by using a newly discovered Lazarus pit. Our last issue ended with Dick, Batwoman, and Kinght and Squire witnessing the supposed resurrection of Bruce Wayne from the Lazarus pit. Is this how Bruce Wayne returns to the land of the living? Thankfully, no.

It seems that the body that Dick Grayson has is one of the replicas created by Darkseid during the Final Crisis. All of them had been destroyed except one as Darkseid stated he could use the deceased body of the cloned Batman for some future use. This is a bit confusing as how could Darkseid have known that he was going to kill Batman and that he could use this clone body for evil purposes? Am I missing something here? Whatever the case the Batman that comes out of the Lazarus pit is a raving lunatic and begins attacking everyone in the room.

The clone Batman is able to escape thanks to a cave in and uses a Bat-copter to escape and head back to the Wayne Foundation. There he beats up Alfred and confronts a wheel chair bound Damian who thinks his father has returned to him. And we end there.

What a crazy week with all this talk of Watchmen prequels, re-shoots on Jonah Hex, and DC’s big impending announcements of film projects and possibly a new Publisher. Marvel will have to sell itself again just to keep up! Let’s see what’s out and about.

Amazon Vs. Books: If you’ve been following the slap-fight between Amazon and Macmillan, you already know that they’re fighting over ebook pricing and Amazon pulled Macmillan’s books from their site. Amazon lost the PR battle and has agreed to put the links back. John Scalzi has what I think is the correct take on the matter. His books are published by Tor, which is a division of Macmillan, and the fight cost him, and many other authors, their sales. Read what John says.

The Beat: Heidi MacDonald is an old pal from the pre-blog era and runs one of the must-click sites on the web, The Beat. She’s recently moved to a new location and if you haven’t updated yet, do so now. And try to get in on all the Watchmen sequel and prequel stuff!

Rating: *** 1/2*

Marvel Comics’ Siege continues this week with issue two of the four part mini-series. The issue returns to the scene of the battle in Oklahoma where Norman Osborn, HAMMER, and the Dark Avengers are battling it out with Thor and the citizens of Asgard. All look lost as Norman Osborn stands over a defeated Thor, but he’s saved by Maria Hill using a bazooka, which blows Norman out of the way.

Ares discovers quickly that he’s been duped by Norman into helping lead the invasion of Asgard. Ares decides to make good on his promise and rip Norman’s head off when the Sentry comes in to protect Norman. They duke it out and in a shocking big splash page moment, the Sentry rips Ares in half. I knew someone was going to die in this issue and I had a feeling it would be Ares, but in no way did I see him meeting his end this way. Very cool!

Issue one left off with an angry Steve Rogers watching the footage of the invasion of Asgard. We pick up here with Steve gathering the New Avengers, the Young Avengers, and Nick Fury and his Secret Warriors so they can all head to Oklahoma to defeat Osborn once and for all. Also with this group is Bucky the new Captain America. He hands over the shield to Steve stating he believes if they are going to do this, it has to be done right and Steve must wield the shield once more.

Everyone loves a good job, and people without a job would just like one. I can’t guarantee that any of these jobs are good, bad or fun, but I can see one thing for certain: they are jobs. Let the hunt begin!

Marvel Comics: If you can tell the difference between the Fantastic Four and the Howling Commandos and you’ve got some mad Adobe software skills as well (not just your free Acrobat Reader), then Marvel Comics’ New York office could be the place for you. Their digital production department is looking for a graphic designer with experience in comic book or traditional book production. The downside is that it’s a temp spot and it only pays $15 an hour, but hey, you’ll still be a part of the comic book industry.

Full Moon: Charles Band and the crew behind Full Moon Entertainment’s movies like Puppet Master, Demonic Toys, Dollman, and Trancers are looking for an eBay consultant to help them sell off their tons of warehoused material. It’s a 1000-piece collection “of rare and valuable items, many of them one of a kind. At this time, the intention is 20 pieces per week. They include giant film posters, original concept and production drawings, paintings, pen and ink comic book art, prototypes for figurines, and autographed items.” I worked on some of those Full Moon comics back in the 1990s and if some of the art they’re offering is from that era, there are some nice pieces in that collection including early J. H. Williams.

Is everyone ready to read Bluewater’s J.D. Salinger comic book on the iPad? Now that’s a game-changer I can believe in! Let’s see what I’ve got on my desktop this week:

Apple’s iPad: Apparently Apple changed the game with some kind of game changer that’s supposed to be the Jesus of print that’ll save newspapers from their own stupidity and ineptitude and also change the way we read comics and make a BLT just the way I like it and find me a room at Comic Con International. Tom Spurgeon at The Comics Reporter coalesces his thoughts on the matter. Me? I’m waiting for the iPad with wings.

Plastic Man: There are other places that are dropping it, but my favorite is over at John Kricfalusi’s blog. He’s imbedded the 10-minute Plastic Man pilot that was created by Tom Kenny (the voice of Spongebob) and Stephen DeStefano (simply one of the great modern cartoonists, and co-creator/artist of the much-beloved ‘Mazing Man). Says John: “It’s a real cartoon and you can tell the creators like the audience. It sure stands out from most of what’s out there.” Go check it out.

I have an ugly confession to make. My favorite Dennis the Menace comics aren’t the individual panels from the newspapers. They’re the stories that appeared in Fawcett’s Dennis the Menace comic books, and they weren’t done by Dennis’ creator Hank Ketcham. Oh, sure, his work on the newspaper comic is great, but I like the comic books better. It was only later that I found out these favorites of mine were done by writer Fred Toole and artist Al Wiseman.

Back in 1964, a company named Allied Publications put out an oversized, saddle-stitched magazine with the very unwieldy title These Top Cartoonists Tell How They Create America’s Favorite Comics. It featured an introduction by Beetle Bailey’s Mort Walker and was compiled by Allen Willette.

39 cartoonists were profiled, one per page, and it appears that the cartoonists themselves were responsible for their own write-up. This is the one Fred Toole wrote about Ketcham and Dennis. Toole is identified as being “in charge of Public Relations for Hank Ketcham.”

Writes Fred:

“Henry King Ketcham was born in Seattle, Washington, March 14, 1920. His interest in drawing goes back to the time he was seven years old and used to watch a family friend make cartoon doodles. Hank proceeded to make cartoons himself all during his school years. After a year at the University of Washington, where he was an art major, Hank went to Hollywood to work as an animator in the Walt Lantz studios. Later, at the Walt Disney studios, he worked on several major Disney productions.

Peter Arno was one of the great cartoonists of his generation, probably one of the greatest of all time. A mainstay of The New Yorker, his work helped define the magazine, and he was wealthy enough to party on with the types of people he lampooned in his cartoons. He was only 64 years old when he died in 1968.

In the introduction to his book, Peter Arno’s Ladies & Gentlemen (Simon and Schuster, 1951), Arno answered a few questions that had been constantly hurled at him over the years. One of my favorite responses was to the age-old question all creative people must suffer.

Here’s Arno:

“Question Number Two seems to be: ‘Where do you get all your ideas? Do they just come to you?’

“The last thing they do, madam, is ‘just come.’ My ideas are produced with blood, sweat, brain-racking toil, the help of The New Yorker art staff, and the collaboration of keen-eyed undercover operatives. For the first few years I did think up most of my own situations. I had to. I was developing a style and a new kind of format, and there was no way anyone else could do it for me. But as time went on, and a distinct pattern for my work was set, it became easier for others to make contributions. By “others,” I mean the scant handful of gifted idea-men (there are hordes of the other kind) who have grown up in the field during the past few years.

A lot has happened internetally while I took my afternoon nap, and there’s good stuff from old-school fan favorite Catwoman Julie Newmar, Tom Richmond talking about caricatures and Jesse Santos’ Doctor Spektor. Dig in:

Catwoman: No getting around it, to men of a certain age, Julie Newmar was the Blake Lively of her day. Now she’d like you to talk dirty to her. She’s putting together a book of confessions from men proudly unashamed to admit that she created a stirring in their Batman underpants when everybody was much younger. Says Newmar to the Globe and Mail: “Suddenly, walking straight to me was the grandfather, his voice and eye seductively nailed to me. ‘Miss Newmar. You were my first turn-on.’ For the father, it would be improper, and the boy hadn’t reached the age where it was of interest to him.” No doubt Diana Rigg, Yvonne Craig, Joey Heatherton and Nancy Sinatra have similar stories. Although you probably stood a chance with Heatherton. The interview is a lot of fun, and Newmar is looking for stories just like yours. There’s an email address at the link for you to participate.

Rating: ** 1/2*
I was a big fan of James Robinson‘s Starman in the 90s. So much so that I got a tattoo of the insignia on my shoulder. When I heard this idea of having the Blackest Night “resurrect” canceled titles I thought it was great, especially as it would be resurrecting this long-time favorite of mine. Unfortunately, like the material that writer James Robinson has been doing since his return to comic books full-time, this issue is sub-par compared to his old work.

For those of you not familiar with the old Starman series, the Golden Age Starman, Ted Knight, had finally retired thanks to the events of Zero Hour and his son, David Knight, decided to take up his father’s mantle as the new Starman and protector of Opal City. In the very first issue (really issue zero), David is killed by the son of the super-villain, The Mist. As a result, Ted’s younger son Jack takes over the role of Starman for the duration of the series which ended with issue 80 when Jack retires to live in San Francisco with his son. One of the supporting characters of the book was the former super-villain, The Shade, and he along with another supporting character, Hope O’ Dare, are the focus of this issue of Starman.

First off, I really wish writer and co-creator, James Robinson, would have used Jack Knight in this special issue. I think it would have been cool to see Jack battle it out with Black Lantern versions of his father and brother. Maybe Robinson feels that he’s done and said what needs to be said with that character and that having him return would not be a good idea. I can respect that, but as a fan I would have loved to have seen it.

Sometimes a Civil War reenactor will don a floppy felt hat, pick up an old musket and spend a weekend in the rain chasing his beer-and-poker buddies down a hill. But if you’re Chuck Dixon and Gary Kwapisz, you’ll probably forgo the smell of soggy felt and take your action to the printed page. That’s what they’re doing with a new line of historical graphic novels. If you remember Savage Sword of Conan, then you’ve seen what happens when Chuck (Punisher, The Simpsons, Robin) works with Gary. Good stuff happens, that’s what.

Chuck and Gary have launched their own publishing company, History Graphics Press. Their first book, Civil War Adventure, is a 144-page b&w trade paperback anthology of historical Civil War stories, written by Chuck, illustrated by Gary. Stories feature the famous, guys like Winslow Homer and George Armstrong Custer and also the not-famous, guys in the trenches just trying to stay alive and help their cause. And there are lots of horses and soldiers, all beautifully and accurately illustrated by Gary. This promises to be merely the first book in a series of graphic novels on the American Civil War and American history.

Read More | History Graphics Press

  Rating ****
Wow! That’s all I have to say about Geoff Johns’ final issue of Adventure Comics. It’s too bad Geoff is leaving this book because in the short time he was been on this title, I’ve really come to like the character of Superboy. There is a genuineness to the character of Superboy aka Conner Kent aka Kon-El. Johns really writes this character as a teenage boy who like all teen boys can be insecure, have girl troubles, go to school, and have trouble with their families. Now none of us have the trouble he’s going through, but no matter how old you are, you can definitely relate and feel for this kid. However, I think this issue is really more about the character of Lex Luthor than it is about Conner.

I think if I met someone who were new to comic books and wanted to know something about the character of Lex Luthor, I wouldn’t send them to Wikipedia to read up on who Lex Luthor is - I would hand them this issue instead. In this issue alone, Johns shows you who Luthor really is and just how evil of man he is. The story picks up where we left off in the last issue where Superboy rescued a girl named Lori and brought her back home only to be find out that she is the niece of Lex Luthor, the man who cloned him from Superman and his greatest enemy. Luthor is here to recover his property (Superboy), but the revelation of who Lori and her mother are gets in the way of things.

Rating: *** 1/2*

Marvel Comics is promoting their latest blockbuster crossover Siege as a project that has been seven years in the making. It began with Avengers #500 when writer Brian Michael Bendis first took over the title. The storyline was called Avengers Disassembled where the Scarlet Witch went crazy, the Vision was destroyed, and Hawkeye and Ant Man (Scott Lang) were killed off. It was a good story and a huge turning point for the team that left many fans very angry as fan favorite Hawkeye was killed in an unsatisfactory manner and the New Avengers were then launched with a non-traditional lineup which included the Sentry.

As the years have gone by, we’ve had various crossovers such as Civil War, Secret Invasion, and Dark Reign which further complicated the lives of the Avengers and the Marvel Universe in general. All of this has lead us to Siege, which is a storyline that will focus on Norman Osborn and his Dark Avengers invading Asgard to expel it from the Earth. This was a very good start. Osborn wants power and looks at Asgard as a roadblock. With the assistance of Loki, Osborn is able to get a reason to invade Asgard.

During the Civil War, innocent civilians were killed during an incident involving the New Warriors. Loki is able to replicate a similar incident using the Asgardian Volstagg who battles the U-Foes which results in the death of thousands of civilians at Soldier Field in Chicago. Osborn’s Dark Avengers are not too willing to go along with the invasion - especially Ares who promises Osborn if this is a trick of some sort, he will kill him personally. 

A million years ago, when I was but a small boy, my favorite comic strip was - and still is - Conchy by James Childress. The strip was about a group of beachcombers and it had the wackiness of early B.C. by Johnny Hart mixed with the philosophical melancholy of Charles Schulz’s Peanuts. And it was extremely well-drawn. I found out about Conchy in some obscure comic magazine, then realized it was not running in my local paper, The Roanoke Times & World News (because there had to be room for Dr. Smock, right?). But it did run in the Richmond Times-Dispatch. Being too broke to spend the money every day to get a copy of an out of town paper, I pulled a pre-Google and read it for free: by going to the local library every Sunday afternoon and reading a week’s worth of strips in one sitting.

I loved it and I started to piece together a history of the strip and its creator. Childress himself was syndicating the strip on his own - no big syndicate to support and promote him. I remember being impressed by that gutsy DIY attitude; I had no idea such a thing was even possible. He worked his way up as an independent and subsequently got Conchy picked up by the same folks that syndicated Walt Kelly’s Pogo, Publishers-Hall.

Barry Blair passed away earlier this week. A very talented writer-and-artist, he was one of the founders of Aircel Comics with the backing of Ken Campbell. The imprint got its name from Campbell’s refrigeration company. Barry had a house stockpiled with a number of artists eager to create comics and they were all put to work churning out books for Aircel with titles like Elflord, Samurai and Warlock 5.

For a couple of years their books were very successful and featured work by Blair, Pat McEown, Dale Keown, Dave Cooper, Jim Somerville, Guang Yap and others during the black and white boom of the mid-1980s. When the market soured, Campbell was eager to shed the imprint. Rather than shut it down, he made a deal with Malibu Comics President Scott Rosenberg to take it over. Malibu was the parent company to Eternity Comics.

As part of the deal, Malibu would run the imprint and Barry would provide 4 books a month - a new book every Tuesday either by him or his studiomates or in some form of collaboration. In addition, Malibu would also sponsor Barry’s green card - he wanted to move out of Canada to New York City and found a place in the shadow of the United Nations building. For a couple of years, Malibu published a wide variety of Aircel books - Barry’s own adventure books, Dave Cooper’s wild parodies, and even a Jim Somerville zombie book.

Read More | Bleeding Cool

If you’ve ever dreamed of working in comics without actually writing them or drawing them, DC Comics might have a place for you (please make up your own joke for this space). As we roll into 2010, they have openings in two “non-creative” business-related departments, although as anyone can tell you, the business departments of major corporations can be very creative.

First off, the home of Batman and Superman (even after they’re killed off) needs a Staff Accountant to help track money.

You’ll be working for DC’s Finance & Accounting department doing superheroic and necessary tasks like coding invoices, reconciling art and editorial inventory, journal entries (the financial kind, not the “Dear Diary” kind), account analysis and so on.

As always, you’ll need that precious Bachelor’s Degree in Accounting or Finance and they’d love it if you had some publishing industry experience. And here’s the kicker: you’ll need to communicate effectively and tactfully with managers and other levels of personnel, so save your snark and trolling for the internets.